Fear and Loathing and Punk Rock Bowling
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I’m at the lobby of a hotel waiting in line to speak to someone at the front desk. It’s brunch time and surprisingly not that busy, but nonetheless there is a lady ahead of me taking her time. I don’t mind — I’m on vacation and so is she. I just want to know why the wifi isn’t working. The lady ahead of me is inquiring about what shows are going on in the area. She’s holding a pamphlet going...

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Tuesday, 12 July 2016
Vinyl Vlog 151
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A deeper look at the grooves pressed into the La Llama Que Nunca Se Apaga 7” EP by Yesterday’s Heroes.
 I could open this review by writing something trite like, “When it’s done well, whether listeners comprehend the language that a song was written in or not is irrelevant; its meaning will come through in the passion with which it was performed,” but that would probably make readers scoff. It should – such statements are often heavy-handed and surprisingly artless...

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Sunday, 10 July 2016
Vinyl Vlog 150
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A deeper look at the grooves pressed into The Anti-State War Machine EP by Kriegs Legion. It’s impossible to listen to Kriegs Legion’s new EP and not flash on the crew of bands which came before them who didn’t exactly typify hardcore or punk rock in any manner, but did explode forth with a sound and vision all their own under those banners. Bands of this tradition included names like D.O.A., Cosmic Psychos, Negative Trend and Agnostic Front; a diverse...

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Friday, 08 July 2016
Vinyl Vlog 149
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  A deeper look at the grooves pressed into the Songs For Our Mothers LP by Fat White Family. It doesn’t happen often in the post-CD, post-digital music marketplace but, with Songs For Our Mothers, Fat White Family has proven that creating a satisfying and balanced long-playing vinyl album – with the peaks, valleys and thematic movements which propel the music along smoothly from A-side to B- without being “a formless collection of songs” – is not a lost art...

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Monday, 04 July 2016
Vinyl Vlog 148
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A deeper look at the grooves pressed into the NØ FUTUR(E) 7” by Garbageface. For the release of his new album, Karol “Garbageface” Orzechowski has decided to challenge the usual methodology and manner in music is released. His way flies in the face of how music has been marketed ever since Napster turned the music business back into a singles-driven enterprise again; while everyone else is digitally distributing singles into the world and hoping they’ll entice those who find them...

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Monday, 04 July 2016
I Wanna Be Literated! 117
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A critical evaluation of Noise Uprising: The Audiopolitics of a World Musical Revolution by Michael Denning. A blurb on the back of Noise Uprising states “Any future attempt to analyze the sounds and politics of international music industry will need to reckon with this powerful book.” I think that such a claim might be a fantastic over-estimation. There is no doubt that Noise Uprising deals with some interesting and important aspects regarding the birth of recorded music, but it’s almost...

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Monday, 04 July 2016
I Wanna Be Literated! 116
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A critical evaluation of ApocalyptiGirl: An Aria for the End Times by Andrew MacLean. I know ApocalyptiGirl has gotten some very positive feedback, and I love Dark Horse comics (maybe the biggest comics publisher right now still putting out good titles), but is it OK to say that I was simply unimpressed by this comic? It certainly has lots going for it: cool setting (post-apocalypse survival), cool art (crude-like character designs, and dim colors make for a perfect way to...

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Monday, 04 July 2016
I Wanna Be Literated! 115
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A critical evaluation of The Recording Angel: Music, Records and Culture from Aristotle to Zappa by Evan Eisenberg. See if you can process this statement: the Recording Angel reads like I wished I would sound when I talk about music. In other words, this book is a complete nerd-out on music but at an in-depth academic level. We never find out just what Eisenberg’s background is in music (is he just a fan?), but he sure knows how to put...

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Monday, 04 July 2016